The Forgiveness Cure

I’m in the midst of editing my new novel, OUR DAILY BREAD, which will be released in the US in September.  It’s the story of what happens in a small town when, for generations, certain folks have been ostracized, pushed away and left to fend for themselves.  Considered Those People—beyond the pale, beyond redemption—they become resentful, insular, self-hating, inbred, almost feral.  Think a rural LORD OF THE FLIES with grown-ups.

10 Hard truths about writing

Recently, a student told me she was too scatterbrained to write her novel without help, and that she needed someone to crack the whip, set deadlines, help her focus, etc.  She said she needed an editor or a partner, or both.

This isn’t the first time I’ve heard that sort of thing from writing students. Maybe such people are better suited to journalism, which thrives on deadlines; or writing assigned articles, where the subject matter and the word count are predetermined.  Not easy to get such work these days, of course. I wish I could wave a magic wand and give emerging writers more discipline and focus, or that I had an address book full of the names of editors just waiting to help unpublished writers write their first books, but I can’t, and I don’t.

The river of stories

The other day I visited the  Rescue Mission of Trenton, with the group, People & Stories, to talk about literature and life.  Diane, a volunteer organizer drove me there.  When we arrived we entered an unmarked steel door in the side of a cement block building and when the woman behind the glass saw us, she buzzed us through a second door.  The hall before us was interchangeable with a thousand other such institutions: florescent lighting, steel water fountain, cinder-block walls painted pale pink and yellow, tan lino on the floor.  Diane led me through a maze of  hallways smelling faintly of bleach, past poorly-lit rooms in which men and a few women lounged on uncomfortable-looking chairs or sat around folding tables; through a ramshackle courtyard in which  mission trucks were parked, past loading docks, and storage rooms full of broken furniture, pots and pans and stacks of plates. Finally we entered a somewhat cavernous room with wood paneling and linoleum tile, nine blue tables set up in a T-shape, and a large wooden cross hanging on the wall.

SHARPENING THE QUILL WORKSHOPS

I am thrilled to announce I’ve begun creative writing workshops in Princeton – last Saturday of every month! I invite you to join us. Although we’re just beginning. We are already a group of friendly, supportive writers — some just starting on the writer’s journey, others already well published.  Fiction, memoir, poetry, flash fiction, creative non-fiction, there’s something for everyone.

Sharpening the Quill Workshops are based on a creative writing course I developed for the American University in Paris, back when I lived in France.  I also taught it at WICE in Paris, and have adapted bits of it for the Geneva Writers’ Workshop, and various other workshops. In France the course was popular, with a waiting list to get in, and turned out some great writers, among them Joanne Proulx, author of Anthem of a Reluctant Prophet.

The Loneliness of the long distance writer

The other day a young woman asked me what I did for a living.  What an interesting question.  If I had to live off the money I make from writing, I’d be living in a garden shed.  On the other hand, it is through writing that I live.  So, in a very real sense, when I answer that question by saying, “I write for a living” I am telling a far deeper truth.

Then  I asked her if she was a reader.  “Oh, yes,” she replied.

“And what sort of books do you like?”

Facebook — naked in the public square?

If you read this blog even occasionally, you know how ambivalent I am about social networking.  I do it mostly because it’s part of my job, to be honest.  It’s not that I don’t want to hear from readers — on the contrary, hearing from readers is one of the things I LOVE about being a writer — but rather because my natural resting state is in solitude, quiet solitude, and somehow all these tweets and posts and so forth seem so…well…distracting and LOUD. I often wonder, to be truthful, if the people reading this blog, or connecting with me on Facebook and so forth, are actual readers.  How many of you/them buy my books and read them, and how many are just scuffling round the web?

You don’t know what you don’t know…

This week a friend called me, her tone a bit tightly-wound, and asked if I had a few minutes to talk.  My friend is a writer, someone I’ve met only recently, and she’s just published her first book.  It’s done pretty well.  A few nice reviews, a bit of attention.  She should be happy.  But she didn’t sound happy.

“Sure,” I said.  “What’s up?”

“I feel like an idiot.”

“You’re not an idiot.  What happened?”

“I just got my first royalty statement.”  She groaned.  “I’m an idiot.  I thought I’d get royalties.  I thought I’d get some money.”

Writing as a butterfly net…

Vita Sackville-West's writing desk in Sissinghurst Tower

Vita Sackville-West's writing desk in Sissinghurst Tower

It is necessary to write, if the days are not to slip emptily by.  How else, indeed, to clap the net over the butterfly of the moment?  For the moment passes, it is forgotten; the mood is gone; life itself is gone.  That is where the writer scores over his fellows:  he catches the changes of his mind on the hop.  ~Vita Sackville-West

A Simple Life….Beloved

Photo by Ron Davis – Newfoundland

A couple of nights ago I watched the tail end of a television show about a serial killer. In this episode the serial killer in question was a goth rock star who had lost himself in his stage persona. At the end of the show a woman’s voice-over quotes Cyril Connolly:

Better to write for yourself and have no public, than write for the public and have no self.

That struck a chord with me, both as a writer and as someone dedicated to sobriety and walking a spiritual path.